By Contributing Columnist Amy McCarthy aka AmyOrangeJuice
One of the things I have been most impressed with since joining the Folksy community is the quality of the printed items available. I don’t mean prints of original fine art paintings (though some of these are lovely) but lino cut and wood cut prints, each an individual work of art in its own right.
Printing is a very satisfying art technique and its simple to achieve striking, good quality work with few tools; so here is my guide to Lino Printing. Why not have a go?
You will need:
Lino Cutting tool: Otherwise know as a gouge, is readily available from art supply shops and on the internet. I got a set for around £ 6 so they are not an expensive buy. Lino cutting tools come with a handle and several different size cutting blades which fit into the handle, each one makes a different mark and depth into the lino.
Lino: Inexpensive to buy from art supply shops and on line, comes pre-cut in manageable squares.
Roller: Again, printing rollers are cheap to buy from art suppliers, but you could also use a brush. If using a roller you need a flat, clean surface to roll the paint onto. I use an old piece of reinforced glass from an old coffee table.
Ink: You can use water or oil based printing ink or Gouache/thinned poster paint. All easy to come across and inexpensive.
Paper: Lino can be printed onto a wide range of papers. Specialist printing paper is lovely to use, but a wide range of paper can be used. Why not experiment?
Shopping done? Lets get started!
First of all you need to prepare your lino. It comes with a slightly rough surface, so with a couple of drops of water and a piece of wet and dry sand paper give it a light sanding (should only take a couple of minutes). This will give a strong printing texture. Without preparation the surface of the print could look grainy. Try not to get the hessian backing wet as it will make the lino unstable and soggy!
The next thing to do is prepare the design and cut the lino to the desired size with a craft knife. Remember that the parts you carve away will remain white (assuming you are printing onto white paper). You can draw straight onto the lino or trace a design from paper onto the lino. Remember that when printing everything will appear in reverse on the paper.
Now you are ready to start mark making! Hopefully you have tried out your tools and got a feel for what marks the different blades make: some deep and rounded, others shallow and triangular. Hold the handle of the gouge in the palm of your hand with the blade outwards between your thumb and forefinger and push the cutting edge into the lino, keeping the blade and handle close the lino surface and push along the lino; you have made your first cut!
SAFETY NOTICE: Always cut away from your body and keep your other hand clear of the cutting blade!
When you have cut away all of your design you are ready to print. Having protected your surfaces with old newspaper, roll the paint out on the glass/slab/flat surface till you have a nice even layer of ink/paint. Now place the lino block with the design facing upwards on a clean surface and roll the ink onto it until you have a nice even layer of paint on the design (or dab the lino with a loaded brush until all of it is evenly covered). Lay your printing paper carefully on top of the lino block and burnish the paper with a spoon or with your fingers. Peek at the paper by lifting a corner until you are satisfied with the print. You have made your first print~well done! Lay flat to dry away from pets and kids (I have had hand and paw prints everywhere before!) and repeat as many times as you want, or until you run out of paper!
This is the first stage of lino printing, in part 2 I will show you how to use the reduction method to create prints using several colours.
Photo courtesy of A. Deegan













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I’m Linda Gay Jones and here is a brief bio of me! (And I know it’s longer than I expected it to be though! Hey, I’ve lived a long time!